Coreobrigue - impressões e reflexões no contexto do processo criativo em dança

Abstract

The CoreoBrigue dance project – which is inspired by the history of the clown brig, during its creative process, has raised at each meeting possibilities for experimentation and poetic creation in the body based on the conceptual proposals by Laban (factors of movement), and the dance improvisation method from the perspective of José Gil, whose bodies transform and transcribe narratives arising from significant chance in time/space and thus weave choreographic body scores based on the inducing context of the clown brig massacre. In the meantime, the multiple experiences traversed by the body, through the countless body laboratories, have been transformed into dramaturgical resources – resources that, from the methodological perspective of bricolage based on Kincheloe's concepts, come from experimentation, analysis and integration of variants to obtain a result, whose involved bodies travel in “unknown seas”, in which they unfold in a real and imaginary making of the scene. In this context, the body no longer behaves like an ordinary body, but rather as a body that transcends itself, that makes do with what is around it, in which the freedom to create, to observe, to feel, has become a poetic scene.