2025-11-192025-11-192025-09-19AVELAR, Carlos Matheus Coelho. “Entre o maracá, a cruz e a caneta”: faces do sagrado em Dalcídio Jurandir na perspectiva decolonial (1941 – 1978). Orientador: Agenor Sarraf Pacheco. 25 f. 2025. Trabalho de Conclusão de Curso (Bacharelado em História) - Faculdade de História, Instituto de Filosofia e Ciências Humanas, Universidade Federal do Pará, Belém, 2025. Disponível em: https://bdm.ufpa.br/handle/prefix/8824. Acesso em: .https://bdm.ufpa.br/handle/prefix/8824This undergraduate thesis aims to explore the process of religious interculturality that developed in the Marajó Archipelago, focusing on the figure of the pajé and the interaction between traditional Indigenous beliefs and Catholicism. To this end, we will adopt a decolonial approach. The research will be based on the first four novels of the author Dalcídio Jurandir: Chove nos Campos de Marajó (1941), Marajó (1947), Três Casas e um Rio (1958), and Ribanceira (1978), which together form the collection known as Extremo Norte. The exploration of epistemic models of marginalized religious cultures and the impacts of the European "world-system" bring forth a new perspective on cultural identities, cosmologies, and worldviews involved in religious traditions that were silenced during colonial processes, in which the sacred dimensions of the ancestors were valued and held a central position in their ontology. By integrating literary and historical sources as research instruments, we highlight the importance of literature as a meaningful and essential medium for analyzing and understanding the past.Acesso AbertoInterculturalidadePajéCatolicismoMarajóDecolonialReligious interculturalityIndigenous beliefsCNPQ::CIENCIAS HUMANAS::HISTORIA“Entre o maracá, a cruz e a caneta”: faces do sagrado em Dalcídio Jurandir na perspectiva decolonial (1941 – 1978)Trabalho de Curso - Graduação - MonografiaAttribution-NonCommercial-NoDerivs 3.0 Brazil