2023-03-132023-03-132022-07-01SOUZA, Nome. Jamille Guimarães. Orientadora: Maria Ana Azevedo de Oliveira. 2022. 94 f. Trabalho de Curso (Licenciatura em Dança) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2022. Disponível em: https://bdm.ufpa.br:8443/jspui/handle/prefix/5404. Acesso em:.https://bdm.ufpa.br/handle/prefix/5404This research aims to enlighten about the K-Cover dance in the metropolitan region of Belém, Pará, through a direct conversation with the reader about the history of K-Pop in general. In this context, I present some descriptive methodological strategies used during choreographic learning that was developed and established by the K-Cover niche itself in Belem. Based on my analysis and observation of other groups, besides my own experience. Having Ethnocenology as a basic theory for the investigation of spectacularity in cover dance, together, related to performance, I approach the states of body and consciousness that the K-Cover reaches when entering the stage. I will go through three outstanding performances from 2018 to 2022, from tracing their choreographic paths to their spectacularity. Above all, I reaffirm the relationship between K-Cover dance and choreographic spectacularity in a more particular way in the context of the metropolitan region of Belem.Acesso AbertoDança ModernaCoreografiaEtnocenologiaMovimento popularModern DanceChoreographyEthnocenologyPopular movementCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::DANCATrabalho de Curso - Graduação - Monografia