2023-03-072023-03-072022-12-15OLIVEIRA, Lívia Viana de. O teatro que apaixona: relato de uma artista em sua incursão no Auto da Paixão de Cristo. Orientadora: Ivone Maria Xavier de Amorim Almeida. 2022. 100 f. Trabalho de Curso (Licenciatura em Teatro) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2022. Disponível em: https://bdm.ufpa.br:8443/jspui/handle/prefix/5368. Acesso em:.https://bdm.ufpa.br/handle/prefix/5368This research is presented as the result of the Final Paper for the conclusion of Theater undergraduation degree, by the "Escola de Teatro e dança" of UFPA. The main objective of this narrative is the construction of an auto-ethnographic writing, based on the studies developed initially by Sylvie Fortin, as well as on my personal reports from my incursion with the creative process of the show of the Passion of Christ, carried out by the "Ministério do Teatro Anjos do Senhor" of the "Paróquia São Pedro e São Paulo", located in "Guamá" neighborhood, in Belém, Pará state. The time frame focuses on the three years I was member of the "Ministério do Teatro dos Anjos do Senhor" (2017-2019). The narrative initiates with some introductory considerations interconnecting my life trajectory and theater with the idealization and desire to research this theme. Its path develops through six steps of understanding, in which I contextualize the emergence of theater and scenic representations in the Middle Ages and its insertion in the Churches, in dialogue with notions about liturgical and popular theater; I identify some places where the Passion stagings take place, currently, and who are their participants; I establish a dialogue with the history of this auto carried out by "Anjos do Senhor", through individual and collective memories; I also discuss how the construction of characters and the creative process related to the actors involved occur accordingly to the concept of devout body presented by Karine Jansen (2004); finally, I construct a narrative related to the procession form of this show, called "Via Sacra". In this way, I intend to contribute to theatrical papers related to popular and religious theater, understanding the dimensions and contributions of liturgical theater for people who comprehends in it an opportunity to be in contact with this artistic language. In addition, valuing and awaken the interest into production and further research related to this subject.Acesso AbertoTeatro de rua - Belém (PA)Autos populares - Belém (PA)Teatro folclórico brasileiroCultura popularStreet theater - Belém (PA)Popular cars - Belém (PA)Brazilian folk theaterPopular cultureCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROTrabalho de Curso - Graduação - Monografia