2025-06-192025-06-192025-04-08OLIVEIRA, Izabelle Rego. Negra Li e o RZO: uma análise sobre os desafios enfrentados pelas mulheres no Movimento Hip Hop. Orientador: Wesley Garcia Ribeiro Silva. 2025. 36 f. Trabalho de Curso (Licenciatura em História) – Faculdade de História, Campus Universitário de Ananindeua, Universidade Federal do Pará, Ananindeua, 2025. Disponível em: https://bdm.ufpa.br/handle/prefix/8334. Acesso em:.https://bdm.ufpa.br/handle/prefix/8334This research discusses the analysis of the difficulties encountered by women to enter the Hip hop movement from the figure of the singer and rapper Negra Li, during her entry until her departure from the group RZO (1996 - 2004). First, the constitution of rap in the context of São Paulo stands out, the concerns about the new rhythm that arrived in Brazil will be an important starting point, because from the definition of what rap is, the spoken funk and the elements that surround the movement of the anti-system youth subculture and a tool for contesting the status quo it was also a space for the dissemination of prejudices against women. In this context, the analysis of the career of the singer Negra Li becomes a mechanism for understanding the phenomenon of women's occupation in the segments of hip hop culture, their insertion in a group that carries masculinizing symbols even in the nomenclature, the Rapaziada da Zona Oeste will inaugurate in the life of Liliane de Carvalho, the need to develop defense mechanisms for the consolidation of her career as a backing singer, and then as an interpreter that other female figures in the scene also shared. In the expression of experiences through rap, it will be necessary to abandon what is traditionally considered feminine to obtain the respect of male colleagues and avoid harassment, which will be recurrent even in magazines specialized in the hip hop movement, adapting their clothing to the masculinizing world of rap will not always guarantee that women have the freedom to go on stage and resignify the peripheral daily life expressed in the lyrics based on the feminine perspective, a significant gap is present in the analysis of female rap groups when rap invades the center of São Paulo and then to the periphery. While rappers expressed moral and social values about the female sex in their lyrics, women used rap as an empowerment mechanism against machismo and sexism frequently in their daily lives, in addition to reporting their experiences as mothers, workers, girlfriends and artists. The research ends the analysis in 2004, with the departure of singer Negra Li from RZO, reporting the female challenges and the significant contributions that she and other artists brought to the rap scene.Acesso AbertoHip HopMulheresNegra LiWomenCNPQ::CIENCIAS HUMANAS::HISTORIA::HISTORIA MODERNA E CONTEMPORANEATrabalho de Curso - Graduação - Monografia