2026-08-132026-08-132025-09-11MAUÉS, Claudia Pires. A cultura amazônica na dramaturgia de Ramon Stergmann. Orientador: José Denis de Oliveira Bezerra. 2025. 31 f. Trabalho de Curso (Licenciatura em Teatro) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2025. Disponível em: https://bdm.ufpa.br/handle/prefix/9922. Acesso em:.https://bdm.ufpa.br/handle/prefix/9922This article has as its central objective the research in the study of Ramon Stergmann's dramaturgy in the context of Amazon/Brazilian theatrical production. To this end, we start from reading dramaturgical works produced between 1974 and 1984, to analyze its poetic and political meaning in the theatrical context of the temporal cut established by the research. In the theoretical-methodological field, we dialogue with the studies of memory and social history to reflect on Brazilian and Amazonian culture and art, and to unveil the importance of Ramon Stergmann's works to understand certain artistic and cultural scenes in Belém do Pará, in the second half of the twentieth century. Thus, in addition to presenting, in general, some paths of the author, in which one perceives the importance of the playwright in the construction of the Paraense and Amazon theatrical scene, leaving his works in evidence, we conducted a critical analysis of some of them such as: The Charges Macuqueiro (1978), My Berro Boi (1981) and Ibi Ey Mârã (1984), keeping her works alive and in evidence in Pará.Acesso AbertoTeatro paraenseMemóriaTeatro (Literatura)Teatro - Criação artísticaITheater in ParáMemoryTheater (Literature)Theater - Artistic CreationCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROTrabalho de Curso - Graduação - ArtigoAttribution 3.0 Brazil