2026-04-082026-04-082026-04-02RODRIGUES, Alessandro dos Santos. Quando a navalha corta a vida: racismo e feminicídio da crônica à cena. Orientador: Fernando Jorge dos Santos Farias. 2026. 31 f. Trabalho de Conclusão de Curso (Graduação em Letras - Língua Portuguesa) - Campus Universitário de Altamira, Universidade Federal do Pará, Altamira, 2026. Disponível em: https://bdm.ufpa.br/handle/prefix/9438. Acesso em:.https://bdm.ufpa.br/handle/prefix/9438This study discusses racism and femicide against Black women in Brazil based on the chronicle “Professora Benedita” by Farias (2014), adapted into the play “Bené Benedita!” (2024), scripted by the same author. The story, which forms the basis for both productions, originates from a real case of racism that occurred in 2014, involving a student who was the victim of racial slurs at the Federal University of Pará – Altamira Campus, giving the narrative a strong character of social denunciation. The research investigates how the literary work represents the structural and everyday violence suffered by Black women and how the theatrical adaptation expands the meanings of the narrative, enabling new forms of representation, awareness, and audience engagement. The methodology adopted is qualitative in nature, with an exploratory and descriptive character, based on bibliographic and documentary research (Gil, 2002). The results show that literature and theater function as instruments of memory, resistance, and social critique, contributing to the understanding of structural racism and femicide, as well as to the expansion of the symbolic and political impact of the narrative when transitioning from literature to the stage.Acesso AbertoRacismo estruturalFeminicídioLiteraturaTeatroTransfiguraçãoStructural racismFemicideLiteratureTheaterTransfigurationCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRATrabalho de Curso - Graduação - ArtigoAttribution-NonCommercial-NoDerivs 3.0 Brazil