2025-11-282025-11-282025-09-12MUNIZ, Marvison Edson Pinheiro. Tapanã - vivências e subjetividades: refazendo caminhos da performance “h(Á) Sangue Frio”. Orientadora: Ivone Maria Xavier de Amorim Almeida. 2025. 35 f. Trabalho de Curso (Licenciatura em Teatro) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2025. Disponível em: https://bdm.ufpa.br/handle/prefix/8891. Acesso em:.https://bdm.ufpa.br/handle/prefix/8891This undergraduate thesis retraces the paths of the performance h(Á) Sangue Frio, conceived within the discipline Performance at the Theater Degree course at UFPA. The research draws from the author's autobiographical experience, born and raised in the Tapanã neighborhood, on the outskirts of Belém, to investigate how personal memories marked by urban violence and the genocide of Black youth become aesthetic and political material. The central research problem is to understand how systemic violence, inscribed in Amazonian peripheral realities, reverberates in the performer’s body and is transformed into artistic gesture. The methodology combines autoethnography and performance analysis, articulating personal narratives, collective memories, and theoretical frameworks on performance, necropolitics, and biopolitics. The theoretical framework mobilizes authors such as Richard Schechner (performance), Josette Féral (performative theater), Michel Foucault (biopolitics), Achille Mbembe (necropolitics), Alba Zaluar (urban violence), and Cassuriaga (performance art). The study highlights how scenic elements such as ice, blood soaked shirts, names, and sirens create a dramaturgy of the real that brings victims into presence and exposes the banalization of death in Brazilian peripheries. It concludes that performance not only denounces barbarity but also reinscribes the dead into collective memory, challenging the boundaries between art, life, and politics. The research contributes to the field of performance art and to debates on the possibilities of aesthetic creation in contexts of social vulnerability.Acesso AbertoTeatroEspetáculo de teatroRepresentação teatralArte e violênciaTheatreTheatrical performanceTheatrical representationArt and violenceCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROTrabalho de Curso - Graduação - MonografiaAttribution 3.0 Brazil