2022-03-232022-03-232019-12-18SILVA, Jéssica Bianca César. Corpo-História: band-aid na ferida. Orientador: Paulo Roberto Santana Furtado. 2019. 71 f. Trabalho de Curso (Licenciatura em Teatro) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2019. Disponível em:https://bdm.ufpa.br:8443/jspui/handle/prefix/3890. Acesso em:.https://bdm.ufpa.br/handle/prefix/3890This research begins with a memorial that goes through sexual abuse, personal theater in search of a cure, being a teacher and director, initially, mainly by the personal theater that I develop to survive another day. And starting from this phenomenology called: theater; I revive, build, destroy and rebuild my body. This realizing the various constructions of anarcomethodological characters. In four sessions I talk about how engendering aches, wounds, and scars result in teaching about self-care; I care about this that goes beyond the I, from me, and flows into a group of women who have in common the daily struggles of being a woman, the various wounds and not knowing how to deal with the various psychological disorders acquired by daily silence. Third through personal theater the construction of various characters, playwrights and staging, as a result I develop methods of teaching voice-driving theater. Where the studies of self-care connections - self-care - provide a scenic construction of poetic social struggles: the spectacle “Enfim Sós”.Acesso AbertoCuidado de siDramaturgia pessoalCorposSelf-carePersonal playwritingBodiesCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROTrabalho de Curso - Graduação - Monografia