2026-09-042026-09-042026-07-08BORGES, Aline Santiago. O acervo de ópera e teatro de Maria Sylvia Nunes. Orientador: José Denis de Oliveira Bezerra. 2026. 59 f. Trabalho de Curso (Licenciatura em Teatro) – Escola de Teatro e Dança, Instituto de Ciências da Arte, Universidade Federal do Pará, Belém, 2026. Disponível em: https://bdm.ufpa.br/handle/prefix/10116. Acesso em:.https://bdm.ufpa.br/handle/prefix/10116The artistic production in Performing Arts in Belém has an intense and diverse output throughout history; however, many documents have been lost. In this sense, the history of theatrical performances and the characteristic elements of scenic works from each era suffer from the lack of more adequate and expanded spaces and actions aimed at preserving documentary and bibliographic collections on the performing arts. The formation and maintenance of theatrical archives contribute to allowing scenic works to be seen and analyzed by future generations, in addition to keeping the scenic memory alive in our society. In this regard, this research is situated in the field of Theater, in a theoretical-methodological dialogue with Memory and History studies, having the archive of Maria Sylvia Nunes and Benedito Nunes as its research object. The main issue that drives us is to give visibility to the theatrical archives of artist-teachers and to encourage them in preserving theatrical documentation to safeguard scenic memory. This leads us to other questions, such as: Is the personal archive of Maria Sylvia Nunes and Benedito Nunes characterized as a theatrical archive? What subjects does the archive cover? What is the predominant subject in Maria Sylvia Nunes's scenic archive? What is the relevance of the archive for theater research? How does the archive contribute to studies on opera and theater? What types of records can we find about theatrical performances? Based on these questions, we established the following objectives: the general objective seeks to identify, within the Maria Sylvia and Benedito Nunes library, collections in the Performing Arts area that are related to their artistic production. The specific objectives are: a) to present a brief bibliographic profile of Maria Sylvia Nunes; b) to characterize Maria Sylvia Nunes's personal archive as a scenic archive; c) to present the bibliographic collection of works on theater and opera; d) to survey Maria Sylvia Nunes's artistic production regarding theater and opera; e) to analyze the opera performances with stage direction by the artist teacher. Regarding the methodological process, this is a bibliographic and documentary research that uses the personal archive of Maria Sylvia Nunes and Benedito Nunes, as well as other bibliographic and documentary sources. The rich archive, represented by the collection of books, tapes, and documents, is the documentary materiality that permeates the artistic and academic trajectory of Maria Sylvia Nunes. Her personal archive and library articulate with her work as a stage director and teacher in the performing arts, leaving this documentary and bibliographic theatrical heritage to society, as well as to teachers and artists of the theatrical and musical scene in Belém. Therefore, it possesses a significant bibliographic collection on theater and opera for performing arts researchers, holding didactic and historical value for theater and music students.Acesso AbertoTeatro - ParáAcervos pessoaisMulheres no teatroMulheres na óperaNunes, Maria SylviaTheater - ParáPersonal collectionsWomen in theaterWomen in operaCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATROTrabalho de Curso - Graduação - MonografiaAttribution 3.0 Brazil